Three formats — live, async, and in-between — built around Guildhall-trained classical technique and twenty years of working screen credits. Pick the one that fits the moment you're in.
Pick the format by what's in front of you. Audition tomorrow? Quick Notes. Building craft over months? Foundation. Need depth on one scene? Remote Scene Study.
Whatever format you pick, the work rests on three pillars. They're the same questions I ask myself before I walk into a room.
Breath, resonance, clarity. The classical training that makes one line carry across a stage — and one close-up land on screen.
Stop "performing." Be present, be specific, be rooted in choice. The thing casting directors mean when they say "real."
Read what the writer wrote. Find the spine, the want, the obstacle. Give yourself something to play besides the words.
If you don't see yourself here, email me anyway. Most of the people I coach didn't fit a category until they tried.
SAG-AFTRA / Equity professionals balancing self-tapes and callbacks. Quick Notes for the rush, Scene Study between bookings.
Start with Quick Notes →Beginners and intermediate actors learning core technique in a structured, supportive space — at any age.
Start with Foundation →Serious students applying to Guildhall, RADA, Juilliard, Yale, and the like. Audition prep, monologue selection, callback strategy.
Drama school prep →Founders, executives, and public speakers using acting technique for keynotes, board rooms, and on-camera presence.
Executive coaching →British-American actor, writer, and director — a graduate of Guildhall School of Music & Drama in London, and a working professional on US network television since 2012.
Born in Hong Kong, raised in the South of England, trained in London, working in Los Angeles. I've stood on the Old Vic stage as Richard III and on a CBS soundstage shooting episodic — and I teach the bridge between the two.
Gavin gave her the tools she needed to succeed in the audition — and, more importantly, the confidence every young actor needs.
Yes — slots open each month for both live coaching and async formats. Book directly through any service page or send an email if you need something custom.
Often. Executives preparing keynotes, founders pitching to investors, lawyers preparing for trial, public speakers — anyone whose work depends on speaking with command and authenticity.
I'm based in North Bergen County, New Jersey. In-person is occasionally possible for NJ/NY-based students; reach out and we'll see what's available. The vast majority of coaching is remote — and intentionally so, since the modern audition lives on a self-tape.
I work with serious students from around age 12. I'll make exceptions for exceptional younger students who display a mature artistic work ethic. Below that, the structure of these sessions usually isn't the right fit — happy to recommend teachers who specialize in younger actors.
I can support work in standard American, RP, and a handful of regional UK accents. For deep dialect work I'll often refer to a specialist coach — it's a craft of its own.
Live sessions can be rescheduled with 24 hours' notice, no charge. Quick Notes and Scene Study purchases are non-refundable once feedback has been delivered.
Send me a line about what you're working on — the role, the timeline, where you feel stuck — and I'll point you at the right format. No commitment.
Email me →Three formats, one craft. Pick the one that fits the moment.